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Iphigenia Stock Photos and Images
RM2DMAA1K–Design for a Double Door with Overdoor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, With the left door folding. It is divided into panels and a central horizontal band, and a circle with a lion mask. The panels have above a festoon and in the center a lozenge, with the figure of a standing woman. The overdoor shows a representation of probably the preparation of the sacrificing of Iphigenia. The frame is decorated with a stem, at left, rising from an acanthus blossom; at right with palm branches springing from a calyx. On top are the cornices
RMPB2540–Anonymous / 'The Sacrifice of Iphigenia'. Mid-XVIIIcentury. Grey-brown wash, Pencil, Pencil strokes on dark yellow paper. Museum: Museo del Prado, Madrid, España.
RMMYN4F4–. English: Poster by Miquel Utrillo (1862–1934) made in 1898 for the performance of Goethe’s theater play Iphigenia in Tauris in the Parc del Laberint d’Horta in Barcelona, Catalonia (Spain). Deutsch: Plakat aus dem Jahr 1898 von Miquel Utrillo (1862–1934) für die Aufführung von Goethes Theaterstück Iphigenie auf Tauris im Parc del Laberint d’Horta in Barcelona, Katalonien (Spanien). Español: Cartel de Miquel Utrillo (1862–1934) diseñado en 1898 para la presentación de la obra de teatro de Goethe Ifigenia en Táurida en el Parc del Laberint d’Horta en Barcelona, Cataluña. Català: Cartell de Miq
RM2WAJ2B6–Two photo productions of drawings, representing a portrait of Alexander Barthel as Marcus Antonius and a portrait of Anna Haverland as iPhigenia, F.A. Dahlström, after Christian Wilhelm Allers, 1890 photomechanical print paper collotype Portrait of Actor, ACTRESS. Iphigenia
RM2CT1JJY–. Ori Apollinis Niliaci, De sacris Aegyptiorum notis, Aegyptiacè expressis : libri duo, iconibus illustrati, & aucti : nunc primùm in latinum ac gallicum sermonem conversi . F. SABAEI. D^.firtevelle tuamfub aquU reperirepuelUmiTe^retentatuperdere Merge vadts,Y tue dolore tuo,dira^ cupidme mortis:Quodcauft fperte, Cis/afuroreruo*împie tu fetpens, vf^ inftdiatoramorum:iurjduenquondam, mnc rapU Eperien* PE IPHI- ÔVIDIANA. DE IPHIGENIA. iià. NICOLAI REVSNERL DVm iaculo Atrïdes transfigit in aulidiceruamIgnarm: nimtam U/à Diana furit.Indignata mariventosimmiîîity &vndii: Sauit hyems.pefîiifatia mor
RM2RK3GMK–The wreckage of the three-masted Iphigenia at Zandvoort in 1816 1822 by Johannes Christiaan Schotel
RM2DMBNAC–Pleated fan, Gilded parchment leaf painted with gouache, ivory sticks carved à jour, carved and pierced ivory guards overlaid with gold foil, ivory button at rivet, Pleated fan. Gilded parchment leaf painted with gouache. Obverse: classical scene illustrating the sacrifice of Iphigenia showing a sorrowing warrior at left; at center, a sacrificial altar to which the aged priest Colchas leads the weeping Iphigenia, while above in the clouds are Artemis with a deer; at right, a warrior and two female figures, watching the heavenly apparition. Narrow, gilded borders of abstract design
RMT0C216–'Vase 'The Sacrifice of Iphigenia''. Type 'The Medici Vase', Italy, XVII century. Reconstruction. Ancient Rome, 2nd century A.D. Dimensions: h. 157 cm. Museum: State Hermitage, St. Petersburg.
RMMWGW9P–. English: Poster by Miquel Utrillo (1862–1934) made in 1898 for the performance of Goethe’s theater play Iphigenia in Tauris in the Parc del Laberint d’Horta in Barcelona, Catalonia (Spain). Deutsch: Plakat aus dem Jahr 1898 von Miquel Utrillo (1862–1934) für die Aufführung von Goethes Theaterstück Iphigenie auf Tauris im Parc del Laberint d’Horta in Barcelona, Katalonien (Spanien). Español: Cartel de Miquel Utrillo (1862–1934) diseñado en 1898 para la presentación de la obra de teatro de Goethe Ifigenia en Táurida en el Parc del Laberint d’Horta en Barcelona, Cataluña. Català: Cartell de Miq
RM2WFRD1Y–Vaas Met Het Offer Van iPhigenia, Giovanni Battista Piranesi, 1778 print A marble vase with a representation of the Iphigenia sacrifice. Text above performance. Assignment in the end margin. Rome paper etching vase ornament. (story of) Iphigenia
RM2CNWGJP–. Natalis Comitis Mythologiae, sive, Explicationis fabularum libri decem : in quibus omnia prope naturalis et moralis philosophiae dogmata in veterum fabulis contenta fuisse perspicuè demonstratur ... : accessit G. Linocerii Musarum mytholgia, & anonymi obseuationum in totam de dijs gentium narrationem libellus : adiectæ sunt ... editioni elegantissimæ deorum imagines, & eruditissimæ M. Antonij Tritonij Vtinensis .. . ras: Sjc etiani Euripid. in Iphigenia in Tauris cuftodem & feruatQrem nauium Palxmonem vo-cauir: q wovTteK 7rouhivKo9at,vicdv Q-Jhnjj£[JLT0T& Tttthaty. v thioc ny.7v yirsFtli m
RM2RK3GN0–The beaches of the three-masted Iphigenia at Zandvoort in 1816 between 1822 and 1838 by Johannes Christiaan Schotel
RM2JE43TN–Design for a chimney depicting a sacrifice, anonymous, Gerrit de Grendel, 1704 - 1762, Design for a chimney depicting several figures at a sacrificial column. Possibly the sacrifice of Iphigenia. The mantelpiece is decorated with rocaille ornaments and a woman's mask., print maker: anonymous, Gerrit de Grendel, (mentioned on object), publisher: Johann Georg Merz, (mentioned on object), Middelburg, publisher: Augsburg, 1704 - 1762, paper, engraving, h 198 mm × w 116 mm
RMPNBF8N–Amon and Iphigenia. Drawing. Graphite on medium slightly textured cream laid paper. Height: 114 mm (4.48 in); Width: 121 mm (4.76 in). Author: GEORGE ROMNEY.
RM2R48C06–Urn with banquet scene and sacrifice of Iphigenia, 2nd half off the 2nd century BC, travertine, inv. 13902
RMMXBFNB–. English: Poster by Miquel Utrillo (1862–1934) made in 1898 for the performance of Goethe’s theater play Iphigenia in Tauris in the Parc del Laberint d’Horta in Barcelona, Catalonia (Spain). Deutsch: Plakat aus dem Jahr 1898 von Miquel Utrillo (1862–1934) für die Aufführung von Goethes Theaterstück Iphigenie auf Tauris im Parc del Laberint d’Horta in Barcelona, Katalonien (Spanien). Español: Cartel de Miquel Utrillo (1862–1934) diseñado en 1898 para la presentación de la obra de teatro de Goethe Ifigenia en Táurida en el Parc del Laberint d’Horta en Barcelona, Cataluña. Català: Cartell de Miq
RM2WJXWT8–Anonymous, the sacrifice of Iphigenia. Main motif of the fireplace from a hotel in rue des Bernardins, 5th arrondissement. (Dummy title), 1626. Oil on canvas .. Carnavalet museum, history of Paris. Art, carnivalet, museum, reproduction, paintings, meero, museum, reprography
RM2CETYNB–. Bates Student. ENIA IN TAURIS WILL BEPRESENTED ON CORAMLIBRARY STEPS Tuesday Evening, June 27, at 8 Oclock Cast Iphigenia, Agnes Thompson Orestes, Allan .1. Keaney Pylades, William S. Morton Thoas, Ralph V. Morgridge A Herdsman. Harold B. Clifford A Messenger. Harold .1. Cloutman Pallas Athena, Agnes Bryant Attendants on l^ueenElizabeth Marston, Bernice Hood,Amy Hayden. Chorus Hildred Robertson, Ruth Parker, llar-lene Kane, Maud Murphy, Margie Brad-bury, Alice King, Gladys Mower, AliceRussell, Marguerite Benjamin, HazelKelley, Flora Warren,, Ellen Harding,Sybil Jevvers, Mabel Googins. Soldie
RM2RR1A9N–Couple before the Altar of a Temple Dedicated to Diana (Orestes and Iphigenia in Taurus?) circa 1720 by Jacques Ignatius de Roore
RMKCDMJC–Vase fragment, 1st century B.C.–1st century A.D., Roman, Terracotta, 2 11/16 × 2 9/16 × 1/4 in. (6.9 × 6.5 × 0.6 cm), Vases
RMRF7G25–The sacrifice of Iphigenia. Artist: Pietro Testa. Draughtsman: Moses ter Borch (mentioned on object). Dating: 1659. Place: Zwolle. Measurements: h 367 mm × w 475 mm. Museum: Rijksmuseum, Amsterdam.
RMMTYABH–. English: Scene from the tragedy Iphigenia in Tauris by Euripides.In the center Orestes, on the left Pylades, on the right Iphigeneia. Roman fresco from the triclinium of the procurator in the Casa del Centenario (IX 8,3-6) in Pompeii. Deutsch: Szene aus der Iphigenie in Tauris des Euripides. In der Mitte Orest, links Pylades, rechts Iphigenie. Römisches Fresko aus dem Triclinium des Prokurators im Haus der Jahrhundertfeier (IX 8,3-6) in Pompeji. Italiano: Scena dalla tragedia Ifigenia in Tauride di Euripide.Al centro Oreste, a sinistra Pilade e a destra Ifigenia. Affresco Romano dal triclini
RM2WFHGAN–Agamemnon offers iphigenia, Antonio Tempesta, 1606 print Agamemnon sacrifices his daughter iPhigenia to reconcile with the goddess Diana. At the last minute, Diana Iphigenia replaces a deer. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching the sacrifice of Iphigenia
RM2CR0NM9–. Emblemata . fyeapyov ^Tj^etu ripi»lem Iphigenia, vcrbaMcnciai Aga- oia{,>joJnojzufiyKpai,r^;Ta.piTMif76. memnonimDrcs mutacos obiicientis, & 5ymmachus in epift-^jlis allufir .• Vt mihi, imperuim & hoiiorcm ci dclacum : ait, quafi apud fcopulos hseiidc vidcans .-— K^vS^pa, -J -^fpicov 4- A. Gellius flcxit m eos, qui nimiuiu TQvdyct^ov , Trp^.T^ovjci [j.zya.Kct immorantur in DiaJcdic^gyris & msan- lis Tpo-Tra^ (/.ih^a.vGU . dris. De loti prxterea hieroglypgicis vidc «AA«»^ /Si0xiov Hvcu 7CTi (itihttA ToTi Pierium lib. ; i. in fiue . Nuncaudjamus (pikots * harmonicamSircnum concordiam . ■ ,
RM2TBGDWX–Plate 112: Agamemnon Sacrificing Iphigenia (Iphigenia Agamemnoni immolanda, a Diana (cerva eius in locum substituta) surripitur), from Ovid's 'Metamorphoses' 1951 by Antonio Tempesta
RMKC6JT9–Terracotta Megarian bowl, Hellenistic, 2nd century B.C., Greek, Boeotian, Terracotta, h. 3 1/4 in. (8.3 cm); w. 5 1/2 in. (14
RMPNCC9F–Colour study for 'Cymon and Iphigenia'. Date/Period: 1884. Painting. Oil on canvas. Height: 431 mm (16.96 in); Width: 662 mm (26.06 in). Author: LEIGHTON, FREDERIC. FREDERIC LORD LEIGHTON.
RM2JNDYKD–The Chinese Question, HMS 'Centurion' and HMS 'Iphigenia' joining the British Squadron off Port Hamilton, Christmas Day, 1897
RMMYNFR1–. English: Scene from the tragedy Iphigenia in Tauris by Euripides.In the center Orestes, on the left Pylades, on the right Iphigeneia. Roman fresco from the triclinium of the procurator in the Casa del Centenario (IX 8,3-6) in Pompeii. Deutsch: Szene aus der Iphigenie in Tauris des Euripides. In der Mitte Orest, links Pylades, rechts Iphigenie. Römisches Fresko aus dem Triclinium des Prokurators im Haus der Jahrhundertfeier (IX 8,3-6) in Pompeji. Italiano: Scena dalla tragedia Ifigenia in Tauride di Euripide.Al centro Oreste, a sinistra Pilade e a destra Ifigenia. Affresco Romano dal triclini
RM2WFHP5N–Offer van Iphigenia, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ornament. Iphigenia is saved by Diana, who puts a stag (hind) in her place
RM2CEW1NB–. Bates Student. 1916 MIRROR BOARD Editor-in-Chief, Harold .1. Cloutmaneasiness Manager, w. Webster McCann HersonalsM. Winthrop OConnell Hazel A. Mitchell Dana M. Russell Marion P. HutchinsCarl A. Bright Mabel H. (ioogins Athletics Raymond I >. Stillinan Alice C KingClass, Richard P. BoothbySocial, llarlene M. Kane Artists William Boyd Eleanor H. Knowles Charles S. Rankin Gladys M. Mower Erland s. TownBend Marguerite B. Girouard Amy (f. Elaydeu Agnes M. Thompson. SENIOR CLASS PLAY IPHIGENIA IN TAURIS WILL BEPRESENTED ON CORAMLIBRARY STEPS Tuesday Evening, June 27, at 8 Oclock Cast Iphigenia
RM2TB807M–S. Iphigenie, vierge (St. Iphigenia, Virgin), September 21st, from 'Les Images De Tous Les Saincts et Saintes de L'Annee' (Images of All of the Saints and Religious Events of the Year) 1917 by Jacques Callot
RMW55F1X–Tapestry with the intervention of Artemis during the preparation of the sacrifice of Iphigeneia The history of Iphigeneia and Orestes (series title), Tapestry with the intervention of Artemis during the preparation of the sacrifice of Iphigeneia. At the center is the altar, on which a doe has already taken the place of Iphigeneia. In the air, Artemis, recognizable by the crescent moon on her head, pulls along Iphigeneia. Lins looks at Orestes, protecting his eyes from the divine light, in the company of his friend Pylades, at the event in the clouds. Deep kneeling, Agamemnon is shown on
RMR33M6B–The Sacrifice of Iphigenia. Dated: second half 15th century. Dimensions: overall (diameter): 6.5 cm (2 9/16 in.) gross weight: 70 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Master IO. F. F.
RM2WDYYEN–Agostino Veneziano - Iphigenia in a temple lighting a torch at left, Orestes, her brother, and Pylades with their arms bound behind them at right, 1861,0810.128.
RMMWNDB1–. English: Scene from the tragedy Iphigenia in Tauris by Euripides.In the center Orestes, on the left Pylades, on the right Iphigeneia. Roman fresco from the triclinium of the procurator in the Casa del Centenario (IX 8,3-6) in Pompeii. Deutsch: Szene aus der Iphigenie in Tauris des Euripides. In der Mitte Orest, links Pylades, rechts Iphigenie. Römisches Fresko aus dem Triclinium des Prokurators im Haus der Jahrhundertfeier (IX 8,3-6) in Pompeji. Italiano: Scena dalla tragedia Ifigenia in Tauride di Euripide.Al centro Oreste, a sinistra Pilade e a destra Ifigenia. Affresco Romano dal triclini
RM2WEH2FD–Offer van Iphigenia, anonymous, 1715 print The high priest Kalchas is about to sacrifice Ihpigenia to Diana. Iphigenia stands next to him and puts a sword in her chest. Soldiers and spectators are all around. Diana looks sitting on a thunder cloud. paper etching the sacrifice of Iphigenia
RM2CF62GK–. Bulletin de la Société géologique de France. complètequi se rencontre chez les Eulamellibranches : il manqueraitpour réaliser le schéma le plus général que les dents latéralessupplémentaires Y et VI dont lexistence est si irrégulière. V. Dr. LA I : m I 3a : 1 : 3b : 1 LP I : IIIV. G. LA II I : 2a : 2b : 4b I LP II 124 BERNARD, — SUR LE DÉVELOPPEMENT ET LA MORPHOLOGIE Iphigenia ([. brasiliensis) : même formule. Sphœrium Scop. {Cyclas Brug.j.Le développement de S. corneum(fig. 1) montre une grande lenteur de développement suivi darrêtavant que le stade définitif des Cyrènes soit atteint. La cr
RM2RK4FJ2–De actrices Joanna Cornelia Ziesenis-Wattier (1762-1827) en Geertruida Jacoba Grevelink-Hilverdink (1786-1827) in Iphigenia (1674) van Jean Racine (1639-99) between 1800 and 1813 by Louis Moritz
RMR38H19–The Sacrifice of Iphigenia. Dated: second half 15th century. Dimensions: overall (diameter): 5.2 cm (2 1/16 in.) gross weight: 43 gr. Medium: gilded bronze. Museum: National Gallery of Art, Washington DC. Author: Master IO. F. F.
RM2T8P421–VI.15.1 Pompeii. December 2006. West wall. Wall painting showing Orestes and Pylades at Tauris in the presence of King Thoas and of Iphigenia who is now a priestess of Artemis..
RMMCRATG–. Fig. 201. A Androcymbium striatum Höchst. (Abyssinien B Wurmbea tenuis (Hook. f.J Bak. (Kamerungebirge, nm 3000 m ü. M. C V. Goetzei Engl. (Uhehe). D Iphigenia Oliveri Engl. (Taveta E I. somaliensis Bak. (Brit. Somaliland — Original.
RM2HWC68D–Basso Rilievo, il qual’ è scolpito sulla Circonferenza del seguente Vaso Antico di Marmo (detail of the relief on a large marble vase decorated with the sacrifice of Iphigenia), from Vasi, candelabri, cippi…. Artist: Giovanni Battista Piranesi, Italian, 1720–1778
RMRE5K5J–. East coast marine shells : descriptions of shore mollusks together with many living below tide mark, from Maine to Texas inclusive, especially Florida, with more than one thousand drawings and photographs. Mollusks -- Atlantic Coast; Mollusks -- Florida. EAST COAST MARINE SHELLS 63 IPHIGENIA BRASILIANA Lamarck. Shell solid, umbones a little closer to posterior end; surface showing faint radial lines from umbones; epidermis smooth, worn off in old specimens; interior white or purplish, the teeth frequently purple. Length 6 inches. This species is common in Lake Worth, Florida, where it is som
RM2TBG1RY–Large marble vase decorated with a relief of the sacrifice of Iphigenia, from 'Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II' (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi) 1941 by Giovanni Battista Piranesi
RMR309MW–The Sacrifice of Iphigenia. Dated: fourth quarter 15th century. Dimensions: overall (diameter): 5.8 cm (2 5/16 in.) gross weight: 33 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Master of the Orpheus Legend.
RMT3YJT6–Archive image from page 346 of Die Pflanzenwelt Afrikas, insbesondere seiner. Die Pflanzenwelt Afrikas, insbesondere seiner tropischen Gebiete : Grundzge der Pflanzenverbreitung im Afrika und die Charakterpflanzen Afrikas diepflanzenwelta02engluoft Year: 1910 Lilüflorae. — Liliaceae. 299 Iphigenia Kunth Fig. 201, D.E) Zwiebelgewächse mit schmalen Stengel- blättern, flachen Staubblättern und fachspaltiger Kapsel. Von dieser auch im RIonsungebiet vertretenen Gattung wachsen auf steinigen und sandigen Plätzen Fig. 201. A Androcymbium striatum Höchst. (Abyssinien B Wurmbea tenuis (Hook. f.J
RMMECPP1–. Die Gartenwelt . Allium Ostrowskianum. bezeichnen ist. Ebenso ist sie zur Ausschmückung- der Rabatten und Bepflanzung von größeren Gruppen und Beeten vortrefflich geeignet. Von diesen Kaiserkornblumen seien nachstehend als besonders schöne genannt: Alba mit glänzend reinweißen Blumen; Armida, zartlilafarbig; Favorita mit Blumen von einem wunderschönen Rosa; Graziosa mit purpurnen Blumen; Iphigenia, zartrosalila mit heller Mitte; lilacina, lila, und splendens, leuchtend dunkelpurpur. C. moschala, Margaritae und imperialis können entweder gleich ins freie Land oder erst ins Mistbeet gesät werd
RM2HGNJWY–The sacrifice of Iphigenia 1650–1700 Attributed to Arnold van Westerhout Flemish This is a copy in reverse after Testa's print, for which see B.XX.221.23. The sacrifice of Iphigenia. Attributed to Arnold van Westerhout (Flemish, Antwerp 1651–1725 Rome). 1650–1700. Etching. Prints
RFTR7J0K–Ancient stone bridge at the ancient temple of goddess Artemis at Vravrona region in Attica, Greece, June 2018.
RMRE6470–. East coast marine shells; descriptions of shore mollusks together with many living below tide mark, from Maine to Texas inclusive, especially Florida. Mollusks. EAST COAST MARINE SHELLS 63 IPHIGENIA BRASILIANA Lamarck. Shell solid, umbones a little closer to posterior end; surface showing faint radial lines from umbones; epidermis smooth, worn off in old specimens; interior white or purplish, the teeth frequently purple. Length 3 inches. This species is common in Lake Worth, Florida, where it is sometimes tak- en for food. It prefers inland waters but subject to tidal influence. PI. 24, Fig.
RMPANW6E–Sacrifice of Iphigenia. Artist: Pierre Biard II (French, Paris 1592-1661 Paris). Dimensions: Sheet (trimmed): 5 3/16 × 8 11/16 in. (13.1 × 22 cm). Date: 1607-61. Museum: Metropolitan Museum of Art, New York, USA.
RMRYH270–East coast marine shells : descriptions of shore mollusks together with many living below tide mark, from Maine to Texas inclusive, especially Florida, with more than one thousand drawings and photographs eastcoastmarines00smit Year: 1951 EAST COAST MARINE SHELLS 63 IPHIGENIA BRASILIANA Lamarck. Shell solid, umbones a little closer to posterior end; surface showing faint radial lines from umbones; epidermis smooth, worn off in old specimens; interior white or purplish, the teeth frequently purple. Length 6 inches. This species is common in Lake Worth, Florida, where it is sometimes tak- en f
RM2E477D1–George Romney, 1734–1802, British, Iphigenia Kneeling over an Altar, undated. Gray wash and graphite on medium, slightly textured, cream laid paper. altar , dress , Greek mythology , kneeling , religious and mythological subject , sacrifice , smoke , woman. Iphigenia, daughter of Agamemnon and Clytemnestra
![. Animal physiology. Physiology, Comparative. ./•N^.'.- ^^.' BOHN'S STANDARD LIBRARY.. i '4e. SCHLEGEUS LECTURES ON MODERN HISTORY. § 47. LAMARTINES HISTORY OF THE FRENCH REVOLUTION OF o48. I 43 & 50. JUNIUS'S LETTERS, with Notes, Additions, Essay, Index, ccc. 'i ' jiS. ^ 49, 55, 60. 65. 71. VASARIS L!VES OF THE iVOST CELEBRATED PAINTERS. SCULPTORS, AND ARCHITECTS. Trauslated by Miis. Fostek, with Notes. Complete in 5 Vols., with huic.x. :.!. TAYLORS (JEREMY) HOLY LIVING AND DYING. Portrait. P.4 Faust," m Iphigenia," "Torqxiato Tasso," With " Goetz vou Ber- 52. GO Stock Photo](https://c8.alamy.com/comp/RN4P7T/animal-physiology-physiology-comparative-n-bohns-standard-library-i-4e-schlegeus-lectures-on-modern-history-47-lamartines-history-of-the-french-revolution-of-o48-i-43-amp-50-juniuss-letters-with-notes-additions-essay-index-ccc-i-jis-49-55-60-65-71-vasaris-l!ves-of-the-ivost-celebrated-painters-sculptors-and-architects-trauslated-by-miis-fostek-with-notes-complete-in-5-vols-with-huicx-!-taylors-jeremy-holy-living-and-dying-portrait-p4-faustquot-m-iphigeniaquot-quottorqxiato-tassoquot-with-quot-goetz-vou-ber-52-go-RN4P7T.jpg ". Animal physiology. Physiology, Comparative. ./•N^.'.- ^^.' BOHN'S STANDARD LIBRARY.. i '4e. SCHLEGEUS LECTURES ON MODERN HISTORY. § 47. LAMARTINES HISTORY OF THE FRENCH REVOLUTION OF o48. I 43 & 50. JUNIUS'S LETTERS, with Notes, Additions, Essay, Index, ccc. 'i ' jiS. ^ 49, 55, 60. 65. 71. VASARIS L!VES OF THE iVOST CELEBRATED PAINTERS. SCULPTORS, AND ARCHITECTS. Trauslated by Miis. Fostek, with Notes. Complete in 5 Vols., with huic.x. :.!. TAYLORS (JEREMY) HOLY LIVING AND DYING. Portrait. P.4 Faust," m Iphigenia," "Torqxiato Tasso," With " Goetz vou Ber- 52. GO Stock Photo")
RMRN4P7T–. Animal physiology. Physiology, Comparative. ./•N^.'.- ^^.' BOHN'S STANDARD LIBRARY.. i '4e. SCHLEGEUS LECTURES ON MODERN HISTORY. § 47. LAMARTINES HISTORY OF THE FRENCH REVOLUTION OF o48. I 43 & 50. JUNIUS'S LETTERS, with Notes, Additions, Essay, Index, ccc. 'i ' jiS. ^ 49, 55, 60. 65. 71. VASARIS L!VES OF THE iVOST CELEBRATED PAINTERS. SCULPTORS, AND ARCHITECTS. Trauslated by Miis. Fostek, with Notes. Complete in 5 Vols., with huic.x. :.!. TAYLORS (JEREMY) HOLY LIVING AND DYING. Portrait. P.4 Faust," m Iphigenia," "Torqxiato Tasso," With " Goetz vou Ber- 52. GO
RMR38PGR–The Sacrifice of Iphigenia. Dated: second half 15th century. Dimensions: overall (diameter): 5.5 cm (2 3/16 in.) gross weight: 44 gr. Medium: bronze//Dark brown patina (rubbed on exposed surfaces). Museum: National Gallery of Art, Washington DC. Author: Master IO. F. F.
RMRYH2JW–East coast marine shells; descriptions of shore mollusks together with many living below tide mark, from Maine to Texas inclusive, especially Florida eastcoastmarines00rome Year: 1937 EAST COAST MARINE SHELLS 63 IPHIGENIA BRASILIANA Lamarck. Shell solid, umbones a little closer to posterior end; surface showing faint radial lines from umbones; epidermis smooth, worn off in old specimens; interior white or purplish, the teeth frequently purple. Length 3 inches. This species is common in Lake Worth, Florida, where it is sometimes tak- en for food. It prefers inland waters but subject to tidal
RM2WFNK7X–Offer van iPhigenia, 1553 print Iphigenia is kneeling for an altar, ready to be sacrificed. Behind her is her father Agamemnon. A priest is preparing the altar. Behind the priest is a crowd that watches. print maker: Italyafter design by: Italyafter design by: Italypublisher: Rome paper etching / engraving the sacrifice of Iphigenia
RFTR7J79–Ancient stone bridge at the ancient temple of goddess Artemis at Vravrona region in Attica, Greece, June 2018.
![. Animal physiology. Physiology, Comparative. i '4e. SCHLEGEUS LECTURES ON MODERN HISTORY. § 47. LAMARTINES HISTORY OF THE FRENCH REVOLUTION OF o48. I 43 & 50. JUNIUS'S LETTERS, with Notes, Additions, Essay, Index, ccc. 'i ' jiS. ^ 49, 55, 60. 65. 71. VASARIS L!VES OF THE iVOST CELEBRATED PAINTERS. SCULPTORS, AND ARCHITECTS. Trauslated by Miis. Fostek, with Notes. Complete in 5 Vols., with huic.x. :.!. TAYLORS (JEREMY) HOLY LIVING AND DYING. Portrait. P.4 Faust," m Iphigenia," "Torqxiato Tasso," With " Goetz vou Ber- 52. GOETHE'S WORKS. Vol. Ill and " Ej^mont. Stock Photo](https://c8.alamy.com/comp/RN4P71/animal-physiology-physiology-comparative-i-4e-schlegeus-lectures-on-modern-history-47-lamartines-history-of-the-french-revolution-of-o48-i-43-amp-50-juniuss-letters-with-notes-additions-essay-index-ccc-i-jis-49-55-60-65-71-vasaris-l!ves-of-the-ivost-celebrated-painters-sculptors-and-architects-trauslated-by-miis-fostek-with-notes-complete-in-5-vols-with-huicx-!-taylors-jeremy-holy-living-and-dying-portrait-p4-faustquot-m-iphigeniaquot-quottorqxiato-tassoquot-with-quot-goetz-vou-ber-52-goethes-works-vol-ill-and-quot-ejmont-RN4P71.jpg ". Animal physiology. Physiology, Comparative. i '4e. SCHLEGEUS LECTURES ON MODERN HISTORY. § 47. LAMARTINES HISTORY OF THE FRENCH REVOLUTION OF o48. I 43 & 50. JUNIUS'S LETTERS, with Notes, Additions, Essay, Index, ccc. 'i ' jiS. ^ 49, 55, 60. 65. 71. VASARIS L!VES OF THE iVOST CELEBRATED PAINTERS. SCULPTORS, AND ARCHITECTS. Trauslated by Miis. Fostek, with Notes. Complete in 5 Vols., with huic.x. :.!. TAYLORS (JEREMY) HOLY LIVING AND DYING. Portrait. P.4 Faust," m Iphigenia," "Torqxiato Tasso," With " Goetz vou Ber- 52. GOETHE'S WORKS. Vol. Ill and " Ej^mont. Stock Photo")
RMRN4P71–. Animal physiology. Physiology, Comparative. i '4e. SCHLEGEUS LECTURES ON MODERN HISTORY. § 47. LAMARTINES HISTORY OF THE FRENCH REVOLUTION OF o48. I 43 & 50. JUNIUS'S LETTERS, with Notes, Additions, Essay, Index, ccc. 'i ' jiS. ^ 49, 55, 60. 65. 71. VASARIS L!VES OF THE iVOST CELEBRATED PAINTERS. SCULPTORS, AND ARCHITECTS. Trauslated by Miis. Fostek, with Notes. Complete in 5 Vols., with huic.x. :.!. TAYLORS (JEREMY) HOLY LIVING AND DYING. Portrait. P.4 Faust," m Iphigenia," "Torqxiato Tasso," With " Goetz vou Ber- 52. GOETHE'S WORKS. Vol. Ill and " Ej^mont.
RMR2PGX2–Death of Iphigenia (?). Dated: possibly c. 1758/1759. Dimensions: overall: 46.7 x 70.6 cm (18 3/8 x 27 13/16 in.). Medium: pen and brown ink with gray and brown wash heightened with white on brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Benjamin West.
RM2WARJ7J–Photo production of a scene with iphigenia from Goethe's iPhigeneia in Tauris, Anonymous, After Wilhelm von Kaulbach, c. 1880 - c. 1885 photograph Part of a cover with 21 plates. photographic support albumen print painting, drawing and the graphic arts. literary characters and objects
RMRMMAWE–. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum. Natural history. PLEISTOCENE MOLLUSCS FROM THE NAMA^UALAND COAST 215. Fig. 8. Donax haughtoni n.sp. Diagrammatic cross-section of valve to illustrate distance d—greatest width, hinge excluded. Material Holotype: S.A.M. K1430 L. 97-0 mm A. 6i-omm Paratype: S.A.M. K1431 70-5 mm 44-0 mm (A complete range of valves from 20 mm to 97 mm in length, in the South African Museum.) Remarks This species most closely resembles Donax [Iphigenia) rogersi Haughton, from the coastal deposits of Doornbaai. Haughton's material in the S
RMPKR3FG–The Sacrifice of Iphigenia. Dated: 1769. Dimensions: image: 13.3 x 8.9 cm (5 1/4 x 3 1/2 in.). Medium: pen and black ink with gray wash over traces of graphite with border line by the artist on laid paper. Museum: National Gallery of Art, Washington DC. Author: MOREAU, JEAN MICHEL D. J.
RM2WB2H90–Photo production of a print of a scene from Iphigenie Auf Tauris, representing Orestes and Iphigeneia, Anonymous, After Wilhelm von Kaulbach, c. 1875 - c. 1885 photograph photographic support albumen print IPhigenia recognizes her brother Orestes. Furies, dire (erinyes), Eumenides; 'Furie '(Ripa)
RMRCK1XM–. Die Gartenwelt. Gardening. Allium Ostrowskianum. bezeichnen ist. Ebenso ist sie zur Ausschmückung- der Rabatten und Bepflanzung von größeren Gruppen und Beeten vortrefflich geeignet. Von diesen Kaiserkornblumen seien nachstehend als besonders schöne genannt: Alba mit glänzend reinweißen Blumen; Armida, zartlilafarbig; Favorita mit Blumen von einem wunderschönen Rosa; Graziosa mit purpurnen Blumen; Iphigenia, zartrosalila mit heller Mitte; lilacina, lila, und splendens, leuchtend dunkelpurpur. C. moschala, Margaritae und imperialis können entweder gleich ins freie Land oder erst ins Mistbeet
RMRXHDMR–Cymon and Iphigenia. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1796. Dimensions: 241 × 275 mm (image); 253 × 318 mm (plate); 281 × 318 mm (sheet). Etching in dark brown, with handcoloring and stipling, on cream wove paper. Origin: England. Museum: The Chicago Art Institute.
RM2WEDAAB–Diana Sturet Winden Om Iphigenia Te Redden, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1775 print Diana sends with poor gestures to save iPhigenia while blows above the wind to keep Greek fleet away from Aulis. Venice paper etching (story of) Diana (Artemis). Iphigenia
RFTR7J5X–Ancient stone bridge at the ancient temple of goddess Artemis at Vravrona region in Attica, Greece, June 2018.
RMRCK1XT–. Die Gartenwelt. Gardening. xxiii; 10 Die Gartenwelt. 75. Allium Ostrowskianum. bezeichnen ist. Ebenso ist sie zur Ausschmückung- der Rabatten und Bepflanzung von größeren Gruppen und Beeten vortrefflich geeignet. Von diesen Kaiserkornblumen seien nachstehend als besonders schöne genannt: Alba mit glänzend reinweißen Blumen; Armida, zartlilafarbig; Favorita mit Blumen von einem wunderschönen Rosa; Graziosa mit purpurnen Blumen; Iphigenia, zartrosalila mit heller Mitte; lilacina, lila, und splendens, leuchtend dunkelpurpur. C. moschala, Margaritae und imperialis können entweder gleich ins frei
RM2REF7NP–'Nicolaus Beatrizet, The Sacrifice of Iphigenia, etching, Ailsa Mellon Bruce Fund, 1972.65.8'
RMR38XR8–The Sacrifice of Iphigenia. Dated: 1744. Dimensions: plate: 28.7 × 38.7 cm (11 5/16 × 15 1/4 in.) sheet: 41.3 × 59.2 cm (16 1/4 × 23 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francesco Fontebasso.
RM2WFP1J5–Offer Van Iphigenia, Nicolas Beatrizet, After Michelangelo, After Baccio Bandinelli, 1553 print Iphigenia is kneeling for an altar, ready to be sacrificed. Behind her is her father Agamemnon. A priest is preparing the altar. Behind the priest is a crowd that watches. print maker: Italypublisher: Rome paper etching / engraving the sacrifice of Iphigenia
RMRCGJ5G–. Die Pflanzenwelt Afrikas, insbesondere seiner tropischen Gebiete : Grundzge der Pflanzenverbreitung im Afrika und die Charakterpflanzen Afrikas. Botany. Lilüflorae. — Liliaceae. 299 Iphigenia Kunth Fig. 201, D.E)^ Zwiebelgewächse mit schmalen Stengel- blättern, flachen Staubblättern und fachspaltiger Kapsel. Von dieser auch im RIonsungebiet vertretenen Gattung wachsen auf steinigen und sandigen Plätzen. Fig. 201. A Androcymbium striatum Höchst. (Abyssinien B Wurmbea tenuis (Hook. f.J Bak. (Kamerungebirge, nm 3000 m ü. M. C V. Goetzei Engl. (Uhehe). D Iphigenia Oliveri Engl. (Taveta E I.
RM2REKDNY–'Agostino dei Musi, Iphigenia Recognizing Her Brother, engraving, Andrew W. Mellon Fund, 1976.20.3'
RMREPKEY–The actresses Joanna Cornelia Ziesenis-Wattier (1762-1827) and Geertruida Jacoba Grevelink-Hilverdink (1786-1827) in Iphigenia (1674) by Jean Racine (1639-99). Dating: 1800 - 1813. Measurements: h 158.8 cm × w 120.7 cm × t 4.9 cm; d 10.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Louis Moritz.
RM2WGA2D2–Cimone en IFigenia, Cornelis Schut (1), 1618 - 1655 print The Boerse Cimone watches ifenigenia and her cozets are sleeping at the fountain. IFigenia awakens by his gaze. (Boccaccio, Decamerone, 5: 1). paper etching Iphigenia. Cimon. (scenes from) specific works of literature: Boccaccio, Decamerone. sleeping; unconsciousness - BB - out of doors
RMPP4JJP–DETALLE DEL MOSAICO QUE REPRESENTA EL SACRIFICIO DE IFIGENIA - SIGLO II AC - Conjunto nº 676. Location: ARCHAEOLOGICAL MUSEUM. Ampurias. GERONA.
RM2WG9G3Y–Cimone en IFigenia, Cornelis Schut (1), 1618 - 1655 print The Boerse Cimone watches ifenigenia and her cozets are sleeping at the fountain. IFigenia awakens by his gaze. (Boccaccio, Decamerone, 5: 1). paper counterproof / etching Iphigenia. Cimon. (scenes from) specific works of literature: Boccaccio, Decamerone. sleeping; unconsciousness - BB - out of doors
Search Results for Iphigenia Stock Photos and Images (1,219)
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